I agree with you EstanbanT
In my personal taste, LOS was a good score, and not boring.
In that same taste, MOF was a boring score.
Maybe it was it was because the nature of the game was very different, but maybe not.
Because it was not their thing, it was not to their liking, is that so hard to understand?
Some people like to play a castlevania game with different music in mind, it doesn't have to be Bloody tears are anything like that, as I said earlier its subjective really.
Its ok if you like that kind of hollwood score/ambient type of music in your CV games, others do not.
What LOS set out to do was its own thing which is understandable, it set out to have that type of musical score and it did what it set out to do perfectly, but it does not mean that people who know what the score set out to do should automatically be onboard with it, especially when they are accustomed to a different type of musical score in the series.
I'm not sure if you're actually reading what I'm saying or not.
I didn't say everyone had to like it. I said complaining about it for not having catchy songs is complaining about the wrong thing. If you want to criticize it objectively, then criticize it for what it is. For example, complaining that the moods don't always match up, or that the vibe was wrong. They did not intend to put catchy upbeat music in LOS. If you don't like that, that's fine, but that doesn't mean that the score was a failure, or a low point in the series. It means that you just don't like the angle they took. Many long time fans like myself appreciate that they did something different with LOS.
I am clearly saying here that it's fine if people disagree with the angle they took. Meaning it's fine if it's not "their thing".
What is irritating to me is when someone tries to critique the score under the pretense of it being something other than what it is meant to be. I also find it irritating when people throw this term "hollywood" around. All styles and genres of music are used in films. Elctronic, rock, blue grass, virtually everything. There is no typical score for films. Fully orchestrated music that doesn't follow a traditional structure is not the default definition of a score for film.
No one is debating that music is subjective. Everyone likes different things, that is fine.
If you still don't see what I'm trying to say then I'm going to give up, because this is getting exhausting.