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The Castlevania Dungeon Forums => General Castlevania Discussion => Topic started by: Nagumo on July 03, 2017, 07:31:02 AM

Title: The second most difficult Castlevania thread in history
Post by: Nagumo on July 03, 2017, 07:31:02 AM
Let's try making sense out of PoR's story.

How does the whole "Brauner controls the power of the castle with his paintings" thing actually work? What does "controlling the castle's power" mean exactly? We know Brauner wants control over the castle's power but what does he plan to do with it exactly? Near the end of the game it's mentioned Brauner is working on "a painting that can destroy the world". Is that what he needed the castle's power for? How exactly can you destroy the world with a painting?

(https://m.popkey.co/925ff5/Oo04a.gif)     
Title: Re: The second most difficult Castlevania thread in history
Post by: The Puritan on July 03, 2017, 07:55:35 AM
Aren't Brauner's paintings embodiments of his will? He was probably making some apocalyptic force/Lovecraftian abomination within his painting, and he only needed the castle's power to bring it to life.
Title: Re: The second most difficult Castlevania thread in history
Post by: zangetsu468 on July 03, 2017, 08:20:34 AM
Brauner's paintings are an embodiment of his (the artist's) will. The way I see it Brauner was only having control of the castle's power by siphoning (or diverting) the power to Dracula's Throne room into create his final masterpiece which he didn't get to finish due to
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It's not ever explained exactly how this was going to take place. From what comes out of his brush in the final battle with him, one could assume is was to be a hellish monster of sorts.
Title: Re: The second most difficult Castlevania thread in history
Post by: theplottwist on July 03, 2017, 12:24:07 PM
Let's try making sense out of PoR's story.

How does the whole "Brauner controls the power of the castle with his paintings" thing actually work?

(click to show/hide)

Quote
We know Brauner wants control over the castle's power but what does he plan to do with it exactly? Near the end of the game it's mentioned Brauner is working on "a painting that can destroy the world". Is that what he needed the castle's power for? How exactly can you destroy the world with a painting?

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EDIT: Spoiler tags because wall of text.
Title: Re: The second most difficult Castlevania thread in history
Post by: DraculaCronqvist on July 03, 2017, 03:04:22 PM
As mentioned previously, Brauner uses his inherent magic, his paintings, to redirect and syphon off the power off the castle, redirecting it into his grand masterwork he wants to unleash upon the world. By blocking the throne room, he drew the power used to resurrect Dracula into his painting. Thus, when the painting was destroyed, all the released energy accumulated through WWII resurrected Dracula immediately. However, his usurping of the Castle was evidently only that. He didn't become its true master, as he could not shape the castle to his will like Dracula can.

As for what the masterwork Brauner planned... Maybe he painted the entire world ruined and the accumulation of enough power would have made it so? Or he would have painted a giant creature filled with the power he syphoned off? The picture was nowhere near enough completion to really guess, nor do we know if his plan would have actually succeeded. After all, his other paintings did not syphon off power from the Castle but just blocked the flow of energy to the throne room and his masterwork. We never really saw him make active use of the power of the Demon Castle on such a grand scale.
Title: Re: The second most difficult Castlevania thread in history
Post by: X on July 03, 2017, 04:31:05 PM
His end of the world painting looked like a picaso
Title: Re: The second most difficult Castlevania thread in history
Post by: DraculaCronqvist on July 03, 2017, 10:11:15 PM
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EDIT: Spoiler tags because wall of text.

Is Dracula really asking for power, though? Isn't that just the English translation? In the original, he says "Ware ni chikara wo...", if memory serves correctly and that does not imply so much asking as demanding power, if my Japanese doesn't fail me here.
Title: Re: The second most difficult Castlevania thread in history
Post by: theplottwist on July 03, 2017, 10:13:35 PM
Is Dracula really asking for power, though? Isn't that just the English translation? In the original, he says "Ware ni chikara wo...", if memory serves correctly and that does not imply so much asking as demanding power, if my Japanese doesn't fail me here.

Asking, demanding, I don't always hit the nail on the head with English. He is the true master of the castle, so him demanding, ordering, would be more fitting I guess.
Title: Re: The second most difficult Castlevania thread in history
Post by: Shiroi Koumori on July 04, 2017, 03:18:20 AM
Is Dracula really asking for power, though? Isn't that just the English translation? In the original, he says "Ware ni chikara wo...", if memory serves correctly and that does not imply so much asking as demanding power, if my Japanese doesn't fail me here.

Based on my experience with anime, etc. When someone says that line, it implies the translation to be "Power/Strength (come) to me".
Title: Re: The second most difficult Castlevania thread in history
Post by: Super Waffle on July 04, 2017, 04:23:26 AM
I think he was just playing Mario 64 and he thought the idea was cool.
Title: Re: The second most difficult Castlevania thread in history
Post by: Lelygax on July 04, 2017, 08:14:59 AM
He was working in a painting called "Lords of Shadow". He couldn't finish it before dying but someone else found and sold it, destroying their world.
Title: Re: The second most difficult Castlevania thread in history
Post by: Nagumo on July 04, 2017, 10:37:09 AM
Thanks everyone for posting your theories. However, I took a look at the Japanese dialogue of this game, and I must conclude that, once again, the source of all the confusion is the localization. It's because of the localization that we English speaking fans ended up making a lot of wrong assumptions about the story. I realize now that in reality, PoR's story is actually quite simple.  Let me explain.

I've formatted my post so the normal text is the original Japanese, the blue text is my English translation, and the green text is official translation which I've included for comparison purposes.


At the beginning of the game, Charlote says the following:

Quote from: Charlotte
これだけの魔力を放つ城。私が本で調べた悪魔城以外考えられない
A castle that emits this much magical power. It's unthinkable that this is anything other than the demon castle I've read about in books.  
This castle is pulsing with dark magical power. I can't imagine it's anything but the  castle of Lord Dracula that I studied in the books.

This might seem like a throwaway line at first, but this is going to be important later in the story, so let's keep this in mind.

This brings up to the first conversation with Wind:
(click to show/hide)

The official translation is pretty close but whoever translated seemed to have overlooked that the magical power/magic (魔力) that Wind is talking about is the magical power emitted by Dracula's castle. This line is absolutely crucial to understand what Brauner is doing. His paintings are like sponges that absorb the magical power emitted by Dracula's castle. Because the magic emitted by the castle is stored inside his paintings he is able to use this power for his own purposes.   
 
(click to show/hide)

Footnotes:

* What Charlotte says here is a conformation of Wind's earlier line about Brauner infusing magical power (which is emitted from Dracula's castle) inside his paintings to make that power his own.
** In my opinion, a more accurate translation would be "black magic reinforcement". In other words, a method which makes it more difficult for a magic spell to be undone my someone else by hiding it behind a series of barriers. (Brauner's paintings).
*** The magic Charlotte is talking about is refering to Brauner's magic, not Dracula's.
**** "封じる" can mean "to seal" but it can be used figuratively to mean "to put an end to something". Just like English, there are tons of verbs in Japanese that are used figuratively. In this case, the usage is clearly meant in a figurative sense because we never see Charlotte and Jonathan actually sealing away any magic.   

After Charlotte and Jonathan defeat Dullahan, there is the following exchange:
(click to show/hide)

Footnotes:

* "核" can mean "core" but that doesn't really explain anything so I think the translator choose the wrong definition here. It can also refer to the pit inside certain fruits which encompasses the seed (hence "outer husk"). That already makes way more sense because the bosses inside these paintings are supposed to act as a last line of defense against anyone who enters the painting in order to destroy the magic contained within. In fact, maybe "last line of defense" would work the best as a translation. 
** Just to be clear, Jonathan is refering to the magical power emitted by Dracula's castle here.
*** This line is refering to how Brauner's magic has decreased a little bit. The official translation made things unnecessarily complicated by translating it as "the power to control the castle".

With the confusion caused by the localization (mostly) out of the way, I can give a short and simple summary of the story:

"Dracula's castle is brought back during WWII by Brauner. However, the only thing he cares about is harvesting the magical power that Dracula's castle emits. He stores away this magical power inside his paintings which allows him to harness that power himself and become more powerful. He wants to use this power to destroy humanity because of what happend to his daughters during WWI.  "

There's still some translation wackiness near the end. Let's take a look in order to wrap this up completely.

Quote
Death:
アトリエの絵によって、ドラキュラ様が蘇るべき玉座の間を切り離すとは…。考えたものよ。だが、これで我が主は蘇る。ははははは
Cutting off the throne room where Lord Dracula is expected to revive through means of his atelier painting... A clever plan. Alas, now I can revive Lord Dracula! Ha-ha-ha-ha-ha!  
The studio painting was cutting off the throne needed to revive Lord Dracula. A clever plan. Alas, now my lord can be revived!  Ha-ha-ha-ha-ha!
   

This line was very weirdly translated. The way Death is talking here is that it's common sense that Dracula revives in the Throne Room. However, nowhere is it mentioned the Throne Room is needed to revive Dracula. That's just making things unnecessarily complex. My take on this is that when Brauner revived the castle, he quickly sealed away the Throne Room because he knew Dracula was going to show up there, trapping him there. What I'm not sure of is if Dracula is trapped there from the very beginning of the game or if he revived in there near the end of the game and discovered he was trapped there. Anyway, it's not hard to understand the gist of it. 

One final thing:

Quote
Charlotte:
この先から、ものすごい魔力を感じるわ。
I sense terribly powerful magic up ahead.

Jonathan:
ジョナサン
この先に城の力を取り戻したドラキュラがいるって事か。
Up ahead is Dracula who has reclaimed the castle's power.
Meaning Dracula's that way, restoring the castle's  power?
 

This line simply indicates Dracula regained the magical power that Brauner stole from the castle.

This is just my take on the story, of course. I'm not claiming it as absolute gospel or anything. Too bad Koutei isn't here. I'm curious whether or not he concurs with this.     
Title: Re: The second most difficult Castlevania thread in history
Post by: theplottwist on July 04, 2017, 03:38:17 PM
Nagumo's post.

Thank you for bringing this to light!

I have some contentions with specific lines, however, as certain interpretations given by you contradict specific dialogue coming after--some of which were translated by you. More or less like "your translation is contradicting itself".

However, for now, I'll point an unrelated logic inconsistency, not a translation inconsistency:

Quote
This line was very weirdly translated. The way Death is talking here is that it's common sense that Dracula revives in the Throne Room. However, nowhere is it mentioned the Throne Room is needed to revive Dracula.

This does not need to be mentioned. If Brauner sealed the Throne Room and this act causes Dracula's revival to not be attainable, that means the Throne Room is necessary for his revival, otherwise Dracula would be revived already.

Also, your own translation just above does say "Now I can revive Lord Dracula", meaning he has not yet revived at all.

Quote
This is just my take on the story, of course. I'm not claiming it as absolute gospel or anything.

As much as I don't fully trust your current interpretation, I trust that you're looking to be as close as to the creator as intended, and the intention of the creator IS a clear cut thing. If I can get over the issues I'm having with your interpretation/translation, I'm ready to accept it as a source closer to the truth.

Also, just to be clear: Some sections I agree are mistranslations (such as "Dracula has regained the power of the castle" instead of "Dracula is restoring the power of the castle"), and already am properly revising my own interpretation to fit the correct translation, since now it's proven to be wrong in some parts. My problem is with INTERPRETATION of some lines, and not exactly the translation. When you add a parenthesis with "(of the castle)" inside them, the intention of the line changes and the logic of some lines after it break -- what I am perceiving as the above mentioned contradictions. I've translated the line myself, and the interpretation I get from it within the context of the other lines is still the same as I pointed on my first post: Brauner's own power is infused on his paintings to make them walls protecting the painting manipulating the power of the castle.

This logic appears to be corroborated when you get to the end, and Brauner's Studio Painting is covered in chains (meaning you have to destroy the barriers protecting it -- the other paintings -- before you can access it). When we start talking about every painting having the power of the castle, the chains make very little sense.

But again, thanks for the heads up!
Title: Re: The second most difficult Castlevania thread in history
Post by: Nagumo on July 04, 2017, 04:25:01 PM
This does not need to be mentioned. If Brauner sealed the Throne Room and this act causes Dracula's revival to not be attainable, that means the Throne Room is necessary for his revival, otherwise Dracula would be revived already.

Also, your own translation just above does say "Now I can revive Lord Dracula", meaning he has not yet revived at all.

Yeah, you're right. I'm going to backpedal on that statement. However, I'm still sceptical that the Throne Room is needed to revive Dracula. Are we sure that's the only thing that makes sense? For example, what if Dracula's remains are inside the Throne Room? That could also be reason why Dracula couldn't be revived and it makes sense what we already know. "The Throne Room is neccessary in order to revive Dracula" seems like a completely arbitrary and unneccessary rule to me. Also, then Death's "Now I can revive Lord Dracula"'s line would make sense since he would have access to Dracula's body.     
Title: Re: The second most difficult Castlevania thread in history
Post by: theplottwist on July 04, 2017, 04:41:39 PM
Are we sure that's the only thing that makes sense? For example, what if Dracula's remains are inside the Throne Room? That could also be reason why Dracula couldn't be revived and it makes sense what we already know. "The Throne Room is neccessary in order to revive Dracula" seems like a completely arbitrary and unneccessary rule to me. Also, then Death's "Now I can revive Lord Dracula"'s line would make sense since he would have access to Dracula's body.     

OK, let's assume the remains are inside the Throne Room for a minute, and that's what Death needed: Why would Death say he needed the Throne Room instead of saying he needed Dracula's body/remains/soul contained within the Throne Room? Why is he talking about the ROOM and leaving the most crucial part (in this hypothetical case, Dracula's remains) out of the picture?

That looks like too many leaps of faith for the writers to expect us to make. We don't know if there ARE remains or WHERE they are, and they could be with Death, too, instead of in the Throne Room, right? Though we see Dracula's coffin on the Throne Room, we also see his coffin on the Throne Room on the first Castlevania, and we know FOR A FACT that Dracula was not revived on the Throne Room on the first Castlevania. Ergo, the coffin present on the Throne Room does not mean much, if anything.

May not be the ONLY thing that makes sense, but is the one that (for me, at this moment) requires the less leaps of faith and has more evidence for: The Throne Room is important by itself. Much more important than the rest of the castle.

Death only says the Throne Room is necessary. Again I'll invoke that the entirety of the Castlevania lore is not confined to a single game or line of dialogue -- It's a puzzle:

-HoD first establishes (through Death) that the castle being whole is important for reviving Dracula. The plot reveals that either castle is not really Dracula's castle until they are merged (and the Throne Room in this game does not even have a throne in either version of the castle!).
-Aria establishes that the Throne Room is more important than simply "a room with a throne in it". It's the place that grants lordship over the entire castle and its powers to whoever reaches it.
-The novel establishes that, while the entire castle changes, the Throne Room never does, showing that it does have something special that other parts of the castle do not.

So I don't quite see the problem with the Throne Room being needed to accomplish Dracula's resurrection. I may not know the mechanics behind it, but I imagine that severing away the place where the master is supposed to command from, from the structure that is directly connected to the master's revival cycle (Remember that? Established on pratically all games with actual lore), may have an actual effect on his revival cycle.
Title: Re: The second most difficult Castlevania thread in history
Post by: KaZudra on July 04, 2017, 04:42:11 PM
The Real question, what would vampire Bob Ross Paint with Brauner's power?
Title: Re: The second most difficult Castlevania thread in history
Post by: DraculaCronqvist on July 04, 2017, 04:49:30 PM
Yeah, you're right. I'm going to backpedal on that statement. However, I'm still sceptical that the Throne Room is needed to revive Dracula. Are we sure that's the only thing that makes sense? For example, what if Dracula's remains are inside the Throne Room? That could also be reason why Dracula couldn't be revived and it makes sense what we already know. "The Throne Room is neccessary in order to revive Dracula" seems like a completely arbitrary and unneccessary rule to me. Also, then Death's "Now I can revive Lord Dracula"'s line would make sense since he would have access to Dracula's body.     

Well, at least we know definitely know that Dracula just got revived upon Brauner's death, as I still maintain that the only reason Jonathan and Charlotte were able to defeat him was because Dracula had no time to restore his full power (hence why Death helped him). But your translation does make some things much clearer, such as Brauner using the power of the castle for himself, syphoning it off to fuel his own power, rather than just diverting it.
Title: Re: The second most difficult Castlevania thread in history
Post by: Nagumo on July 05, 2017, 08:09:28 AM
OK, let's assume the remains are inside the Throne Room for a minute, and that's what Death needed: Why would Death say he needed the Throne Room instead of saying he needed Dracula's body/remains/soul contained within the Throne Room? Why is he talking about the ROOM and leaving the most crucial part (in this hypothetical case, Dracula's remains) out of the picture?

Well, resurrection someone else requires having access to said person's remains, doesn't it? That seems like such a self-apperent thing to me that it really isn't an assumption. The games themselves support this as well. The story always make a point of showing us whoever wishes to revive Dracula is in possession of his corpse. The only exception being CoD, but there's no indication in PoR that Dracula is using a host body.

We also know Dracula isn't revived until after the Brauner fight. There's an conversation between Jonathan and Charlotte that chronologically occurs BEFORE this where they across the sealed Throne Room, and Charlotte says something like: "So this is what Brauner meant with separating Dracula from the Castle". Which means Dracula must have physically existed inside the Throne Room at that point, albeit dead.
Title: Re: The second most difficult Castlevania thread in history
Post by: theplottwist on July 05, 2017, 10:49:43 AM
The games themselves support this as well. The story always make a point of showing us whoever wishes to revive Dracula is in possession of his corpse.

Exactly.

Which is why I'm defending Dracula's body is NOT on the Throne Room, but elsewhere. Probably with Death. I'll elaborate on this logic:

Well, resurrection someone else requires having access to said person's remains, doesn't it? That seems like such a self-apperent thing to me that it really isn't an assumption.

See, this might be very obvious... Until we learn the room itself is special. We're not working from lack of knowledge about the Throne Room anymore. One game specifically mentions the Throne Room to be special by itself, one novel explains this place is unique on the castle, and one game explains that if the castle is not made complete, Dracula's resurrection cannot be attained.

Death said "the Throne Room is needed", and the Throne Room has, by this point, an history of being special. So we are left no other conclusion to draw -- the Throne Room is needed. Saying the remains were there IS a leap of logic, because they are more important. By logic alone, THEY should be mentioned, not the room. Like, for instance: "The body of my lord was sealed on the Throne Room. Alas, he can now be revived" << Why didn't they write it like this, then?

Let's put it another way:

Imagine I come to you and say: "Now that I have this fryng pan, I can eat omelettes!". There is an element missing that is crucial to the "Omelette" equation: Eggs. When I tell you that now the omelette can be attained since I have the pan, what is the conclusion you draw? That the eggs are somehow on the frying pan, or that they are with me?

When Death says "the Throne Room was necessary to revive Dracula. Alas, now he can be revived" making zero mention of Dracula's remains, I do get the impression he already has the body of Dracula. THIS is the given, not "the remains are on the room".

And there is another point I think should be made. You said it yourself: Whoever wishes to revive Dracula is in possession of his corpse.

How many times did Dracula's body spawn on the Throne Room? Or even inside his castle*? There is a reason why it doesn't spawn inside the castle: So his worshippers can locate it and hold a sacrifice over it. It's been like this for ages. Why, then, when the pattern changes so drastically, we're both not shown his body nor told it is contained in the Throne Room?

This is what I mean. The pattern has established that whoever wants to revive Dracula, has his corpse. So, when Death doesn't mention the need for his body but instead a necessity for the Throne Room, what conclusion, based on the recurring pattern and the evidence that the room itself is special, is the most likely to be the implied/given one?

* = And, you might feel compelled to mention SotN and how Dracula's remains are inside the castle, but:
-What is the Belmont's job after Dracula is destroyed? They were most likely reunited by Richter (under Shaft's control), and they gave rise to Dracula's Castle, getting scattered inside it.
-HoD supports the above with a plot that is almost 100% identical: Maxim, under a mysterious force, located the remains OUTSIDE of the castle previous to the main game, reunited them, and they gave rise to the castle, getting scattered inside it.

So, TL;DR: It's much more likely Dracula's corpse is with the one aiming to revive him, Death. Dracula's corpse/remains are only inside the castle when someone previously gathers them and summons the castle with them (HoD) -- something Brauner did not do, as specified by the intro of Portrait.

Quote
There's an conversation between Jonathan and Charlotte that chronologically occurs BEFORE this where they across the sealed Throne Room, and Charlotte says something like: "So this is what Brauner meant with separating Dracula from the Castle". Which means Dracula must have physically existed inside the Throne Room at that point, albeit dead.

Charlotte has no way of knowing where Dracula's body is, and she was never told where it was. But she can STILL make his statement.

Charlotte learned that Dracula was separated from his magical power from Brauner. She knows the castle is the embodiment of his magic, and WE know Dracula doesn't need to be physically at his castle to be connected to it (revival cycle -- Dracula literally revives miles away from his castle as soon as it shows up and vice-versa). She could very well speak of Dracula's connection with his castle and the obvious barrier she can see, without actually knowing where his corpse is. She sees an ominous barrier + she earlier learned from Brauner that he separated Dracula from his magic = Dracula is separated from his magic through this barrier.

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Title: Re: The second most difficult Castlevania thread in history
Post by: Nagumo on July 05, 2017, 12:09:15 PM

Which is why I'm defending Dracula's body is NOT on the Throne Room, but elsewhere. Probably with Death. I'll elaborate on this logic:

See, this might be very obvious... Until we learn the room itself is special. We're not working from lack of knowledge about the Throne Room anymore. One game specifically mentions the Throne Room to be special by itself, one novel explains this place is unique on the castle, and one game explains that if the castle is not made complete, Dracula's resurrection cannot be attained.

Death said "the Throne Room is needed", and the Throne Room has, by this point, an history of being special. So we are left no other conclusion to draw -- the Throne Room is needed. Saying the remains were there IS a leap of logic, because they are more important. By logic alone, THEY should be mentioned, not the room. Like, for instance: "The body of my lord was sealed on the Throne Room. Alas, he can now be revived" << Why didn't they write it like this, then?

Let's put it another way:

Imagine I come to you and say: "Now that I have this fryng pan, I can eat omelettes!". There is an element missing that is crucial to the "Omelette" equation: Eggs. When I tell you that now the omelette can be attained since I have the pan, what is the conclusion you draw? That the eggs are somehow on the frying pan, or that they are with me?

When Death says "the Throne Room was necessary to revive Dracula. Alas, now he can be revived" making zero mention of Dracula's remains, I do get the impression he already has the body of Dracula. THIS is the given, not "the remains are on the room".


I agree with the logic you're using here. However, I probably should have mentioned this in my previous post, but I contest that Death is saying that "the Throne Room is needed in the Japanese version". I'll try to give a grammatical analysis. I'll also post link to websites explaining certain grammar so that you know I'm not making this up.

アトリエの絵によって、ドラキュラ様が蘇るべき玉座の間を切り離すとは…。

アトリエの絵 = atelier painting
によって = by means of (http://japanesetest4you.com/flashcard/learn-jlpt-n3-grammar-%E3%81%AB%E3%82%88%E3%81%A3%E3%81%A6-%E3%81%AB%E3%82%88%E3%82%8B-ni-yotte-ni-yoru/) 
ドラキュラ様 = Dracula-sama
蘇る = to revive (someone)
べき =  should/supposed to (http://www.guidetojapanese.org/learn/grammar/should) used to describe something that is supposed to be done. "You're supposed to do your homework" "You're not supposed to go in there", etc.   
玉座の間 = Throne Room
を切り離す = to cut something off/to seperate 
とは = regarding/concerning

Then you would end up with: "Cutting off the Throne Room where Dracula is supposed to revive by means of the atelier painting..." 

But this is strange for the following reason:

Quote
「べき」 is a verb suffix used to describe something that is supposed to be done. This suffix is commonly defined as "should", however, one must realize that it cannot be used to make suggestions like the sentence, "You should go to the doctor." If you use 「べき」, it sounds more like, "You are supposed to go to the doctor." 「べき」 has a much stronger tone and makes you sound like a know-it-all telling people what to do. For making suggestions, it is customary to use the comparison 「方がいい」 grammar instead. For this reason, this grammar is almost never used to directly tell someone what to do. It is usually used in reference to oneself where you can be as bossy as you want or in a neutral context where circumstances dictate what is proper and what is not.


Dracula is Death's master so it would be very strange if Death would use that phrase when refering to Dracula. Possibily there's another way to interpret this sentence.  It's possible Death is refering to himself and the "I" part is simply omitted (this happens a lot). So then it would be:

"Cutting off the Throne Room where I'm supposed to revive Dracula, by means of the atelier painting..." 
 
I'm not sure, though. I was thinking of asking about it on a forum where you can ask about Japanese grammar. 
Title: Re: The second most difficult Castlevania thread in history
Post by: Lelygax on July 05, 2017, 04:56:17 PM
I think you two are missing a point that I feel the need to adress, and that is that you both are kinda right.
You don't need the throne room to revive Dracula like Nagumo said, in some cases. But you need the throne room sometimes like Plot said.

Think for a moment in a greater scale involving all canon games. Some times there is no castle before Dracula is revived, so whyhe still can be revived? Because of the remains obviously.

So if you have Dracula remains and there isn't a castle yet (since we can see in HoD that an incomplete castle can be a problem, but we can also say its only Death's not having access to Drac remains) you don't need the throne, because you will revive Dracula and Dracula will revive the castle.

Now if you revive the castle instead of Dracula, you will need the throne room.

"Oh, but what about HoD and SotN? In SotN he was being revived on the core". Yeah, but lets not forget there was also 2 castles like in HoD, this should disturb the balance and so Dracula's remains are needed and like I said before, you don't need a throne room if you have Dracula's remains (Rondo of Blood, Bloodlines and Order of Ecclesia clearly shows that).

You can't have a throne room if there is no castle to begin with. Now when there is a castle already, surely you will need one, since there is not like another one will spawn nearby and still be counted as a complete castle.
Title: Re: The second most difficult Castlevania thread in history
Post by: Nagumo on July 05, 2017, 07:06:44 PM
Forget what I said earlier regarding Death's line, I figured it out. Death is using a construction from classical Japanse. This form is listed in the dictionary as "beshi" but when you modify it in order to put it in front of noun it becomes"beki". It indicates certainty. So then the line in question is: "Cutting off the Throne Room in which Lord Dracula shall soon be revived, by means of the atelier painting...". So as I thought, there's no rule that requires the Throne Room in order to revive Dracula.
Title: Re: The second most difficult Castlevania thread in history
Post by: Lelygax on July 06, 2017, 03:16:10 AM
Then why Death wanted the throne room? I have another theory but its more difficult to explain. Maybe be separating the throne room from the material world, time stopped ticking there/it ceased to exist at the same time Dracula was being summoned there. So while he wasn't been resurrected yet, it was in the middle of his ressurection without his body being there yet.

Sure it have more flaws than throne room is needed, but since you dislike the throne room logic I wanted to share some food for thought.
Title: Re: The second most difficult Castlevania thread in history
Post by: Nagumo on July 06, 2017, 05:55:00 AM
Then why Death wanted the throne room?
He didn't. I debunked that "The Throne Room is needed to revive Dracula" line. Death is simply stating that Dracula will soon be reviving in the Throne Room in the Japanse version. This is accurate because that's where you'll find him. You're not supposed to read into it any more than that.

Also, another reason I have trouble with the Throne Room theory is because it's inconsistent. In OoE, Dracula's body couldn't be revived because Dracula's body was sealed away in Ecclesia. Barlowe's focus is only on breaking the seal. The story makes absolutely no mention of anything else from preventing Dracula's return. On top of that, Dracula's castle doesn't even show up until after Dracula was revived, meaning the lack of presence of the Throne Room couldn't have been an obstacle for Dracula's resurrection.

Quote
I have another theory but its more difficult to explain. Maybe be separating the throne room from the material world, time stopped ticking there/it ceased to exist at the same time Dracula was being summoned there. So while he wasn't been resurrected yet, it was in the middle of his ressurection without his body being there yet.

Sure it have more flaws than throne room is needed, but since you dislike the throne room logic I wanted to share some food for thought.

This could have been a possible explanation, but as is the same with the Throne Room, theory, it's a highly specific explanation that is never hinted at in the game itself. That's why I think the story is more self-evident than we're thinking. Dracula not being able to revive because Death can't reach his body since it's locked away requires the least amount of assumptions and doesn't create inconsistencies with other games.
Title: Re: The second most difficult Castlevania thread in history
Post by: theplottwist on July 06, 2017, 09:29:14 AM
He didn't. I debunked that "The Throne Room is needed to revive Dracula" line. Death is simply stating that Dracula will soon be reviving in the Throne Room in the Japanse version. This is accurate because that's where you'll find him. You're not supposed to read into it any more than that.

(click to show/hide)

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Also, another reason I have trouble with the Throne Room theory is because it's inconsistent. In OoE, Dracula's body couldn't be revived because Dracula's body was sealed away in Ecclesia. Barlowe's focus is only on breaking the seal. The story makes absolutely no mention of anything else from preventing Dracula's return.

(click to show/hide)

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On top of that, Dracula's castle doesn't even show up until after Dracula was revived, meaning the lack of presence of the Throne Room couldn't have been an obstacle for Dracula's resurrection.

(click to show/hide)

Quote
Dracula not being able to revive because Death can't reach his body since it's locked away requires the least amount of assumptions and doesn't create inconsistencies with other games.

(click to show/hide)

EDIT: Spoiler tags because, again, walls of text.
Title: Re: The second most difficult Castlevania thread in history
Post by: zangetsu468 on July 06, 2017, 12:20:15 PM
I'm sure that I'm not as well informed as some of you. However, I do believe in the scenario of POR, it's highly likely the remains were in the throne room:

https://www.google.com.au/imgres?imgurl=http%3A%2F%2Fi1.ytimg.com%2Fvi%2FxiS_lnbcuTE%2Fhqdefault.jpg&imgrefurl=http%3A%2F%2Fsurvivorsucks.yuku.com%2Freply%2F10298501&docid=wivVaYFAicseyM&tbnid=dlxAf0wo_seFzM%3A&vet=10ahUKEwi_2cmn6fTUAhWDy7wKHbYFB-UQMwg2KAcwBw..i&w=480&h=360&hl=en-au&client=safari&bih=460&biw=320&q=castlevania%20portrait%20of%20ruin%20dracula%20form%201&ved=0ahUKEwi_2cmn6fTUAhWDy7wKHbYFB-UQMwg2KAcwBw&iact=mrc&uact=8 (https://www.google.com.au/imgres?imgurl=http%3A%2F%2Fi1.ytimg.com%2Fvi%2FxiS_lnbcuTE%2Fhqdefault.jpg&imgrefurl=http%3A%2F%2Fsurvivorsucks.yuku.com%2Freply%2F10298501&docid=wivVaYFAicseyM&tbnid=dlxAf0wo_seFzM%3A&vet=10ahUKEwi_2cmn6fTUAhWDy7wKHbYFB-UQMwg2KAcwBw..i&w=480&h=360&hl=en-au&client=safari&bih=460&biw=320&q=castlevania%20portrait%20of%20ruin%20dracula%20form%201&ved=0ahUKEwi_2cmn6fTUAhWDy7wKHbYFB-UQMwg2KAcwBw&iact=mrc&uact=8)

It's evident in other games that Dracula doesn't need to be in the throne room to be revived, this can be done remotely. However, in this image the coffin lids been removed with blood spilling out. (Perhaps VHD Bloodlust Carmilla-inspired) There's a level of graphical effect which serves its purpose, but the image is fairly straight forward. It's entirely possible Death collected Dracula's remains, and brought them to the throne room (because otherwise they may be scattered and we're never explicitly told anyone else did this?) to revive Dracula.
Title: Re: The second most difficult Castlevania thread in history
Post by: X on July 06, 2017, 03:04:51 PM
Quote
It's evident in other games that Dracula doesn't need to be in the throne room to be revived, this can be done remotely.

Quite true. Dracula in the older titles has been revived many times outside of Castlevania; Cemetery, abandoned abbeys, crypts, etc. In SotN he was revived in a chamber in the centre of the castle, so all-in-all the throne room is not the only definite place for a revival.
Title: Re: The second most difficult Castlevania thread in history
Post by: theplottwist on July 06, 2017, 03:16:16 PM
It's entirely possible Death collected Dracula's remains, and brought them to the throne room (because otherwise they may be scattered and we're never explicitly told anyone else did this?) to revive Dracula.

I'll, then, pose the point I posed to Nagumo:

Why did Death collect the remains, brought them to the Throne Room, left them alone, and proceeded to get sealed outside of the room when Brauner separated it from the castle, instead of immediately reviving Dracula (because we know he doesn't get revived until after Brauner is gone)?

The more this point is made ("the remains are inside the room"), the less sense it makes, and the more its assumptions become obvious.

Bear in mind I'm NOT arguing that it wasn't Death or that he didn't do it. I'm arguing "at what point did he do it".

-Nagumo is saying the remains were inside the room the entire time (contradicting previously cemented lore, on my perspective). If Nagumo says Death brought them in the room before it was sealed, then it doesn't explain why he left the remains alone, but DOES confirm the room is necessary -- otherwise why would Death bring them into that room in the first place? Can't he just revive Dracula anywhere?

-I am saying there was nothing on the room until after Brauner was destroyed, at which point Death followed the course of events that are expected from him: Use the remains to revive Dracula immediately. Also, I'm NOT saying Dracula was revived on the Throne Room -- only that the room is important for his revival cycle. Where Dracula is revived is utterly irrelevant. You could try to revive Dracula on China, if the castle's integrity is compromised, the revival fails. Death could have revived him there because it was the nearest place outside Brauner's studio, for instance.
Title: Re: The second most difficult Castlevania thread in history
Post by: Nagumo on July 06, 2017, 05:21:21 PM
Couldn't Brauner just have placed Dracula's body inside the Throne Room? No idea how exactly he got the remains, but does it matter? For example, it's never explained how Shaft or Elizabeth Bartley got hold of his remains either.

The point I'm trying to make with my OoE example is that the Castle clearly doesn't appear until after Dracula is revived by Barlowe. Meaning it never could have been a requirement for Dracula's resurrection. (EDIT: Never mind, you addressed this in your previous post. I really don't agree with the theory you're putting forward, though. I suppose it's because you're only using secondary evidence to proof something very specific instead of primary evidence. If what you're saying is really true then why isn't that spelled clearly out in the games somewhere? Surely IGA or whoever is responsible for the story must have realized people who may not have played all of the games are not aware of all the story details.       

And I still think you're reading way too much into that specific line from Death. Too bad Koutei isn't here too settle that dispute.       
Title: Re: The second most difficult Castlevania thread in history
Post by: Dracula9 on July 06, 2017, 05:37:26 PM
Doesn't OoE have a rather unique position for Dracula, though?

I mean, we've seen him in past titles wherein he's possessing somebody directly and using their body, and we've seen his mere essence incite one to madness and violence.

But in OoE, we see his essence inciting one not only to madness and violence (Albus), but actually *speak* as himself.

Either Albus's extended contact with Dominus made him think he was Dracula, or Dracula's being was actively occupying him.

Considering Dracula himself stays locked in a statue most of the game, yet still manages to consciously exert his will (as seen when he "communicates" with Barlowe and has him sacrifice himself to break the seal), I should think Dracula's mind actively occupying Albus seems more plausible.

I bring this unique circumstance up because of what it suggests for the revival cycle.

Dracula in OoE isn't actually "dead" as he has been in so many past titles. He wasn't physically slain and his soul sent back to his summer home in hell. They put him in a magic rock. I don't recall if it specifies whether or not his body was destroyed prior to this, but I would presume it was due to him not just appearing in physical form right when Barlowe blows the statue up.

EDIT: (Obviously Barlowe was his revival sacrifice, this is just inference to justify the likelihood that his untethered soul was sealed in the statue and that his body was destroyed.)

So if Dracula wasn't "killed" and then revived in his usual fashion, why would any of the established rules about the castle, the throne room, his connection to said castle, or anything of the sort hold water in OoE?

By sealing his soul and consciousness in a corporeal prison on Earth, the standard rules for how he comes back become changed, if they don't go out the window altogether.
Title: Re: The second most difficult Castlevania thread in history
Post by: theplottwist on July 06, 2017, 05:42:17 PM
Couldn't Brauner just have placed Dracula's body inside the Throne Room? No idea how exactly he got the remains, but does it matter? For example, it's never explained how Shaft or Elizabeth Bartley got hold of his remains either.

Why would he get those remains if:

1. He managed to revive Dracula's castle without them.
2. He had no intention of reviving Dracula.

Imagine you're Brauner. You want the power of the castle without the owner of the castle knocking on your door. Will you reunite his remains (AKA the evil Dragon Balls) and place them RIGHT where he can wake up and take the castle from you?

True. It's never explained how Shaft or Elizabeth managed it (hell, we can barely discuss how Barlowe did it without entering suposition territory). We can neither explain how any of the other 349723984 worshippers managed it. Hence why I'm saying that Death having them is a non-issue. We know already the remains can spawn by themselves, so Death having them without us knowing how is perfectly OK.

Quote
The point I'm trying to make with my OoE example is that the Castle clearly doesn't appear until after Dracula is revived by Barlowe. Meaning it never could have been a requirement for Dracula's resurrection.

And I still think you're reading way too much into that specific line from Death. Too bad Koutei isn't here too settle that dispute.       

Koutei can't settle the dispute of story comprehension. I trust your translation, if that's what you're trying to settle. I just don't think rewording the line actually changed its logic. I'm also not reading onto the Throne Room line by itself, but on the entire context. I'll put, in spoiler tag, what is my exact comprehension of it:

(click to show/hide)

Title: Re: The second most difficult Castlevania thread in history
Post by: Nagumo on July 06, 2017, 06:07:57 PM
Why would he get those remains if:

1. He managed to revive Dracula's castle without them.
2. He had no intention of reviving Dracula.

Imagine you're Brauner. You want the power of the castle without the owner of the castle knocking on your door. Will you reunite his remains (AKA the evil Dragon Balls) and place them RIGHT where he can wake up and take the castle from you?

True. It's never explained how Shaft or Elizabeth managed it (hell, we can barely discuss how Barlowe did it without entering suposition territory). We can neither explain how any of the other 349723984 worshippers managed it. Hence why I'm saying that Death having them is a non-issue. We know already the remains can spawn by themselves, so Death having them without us knowing how is perfectly OK.


Brauner wants Dracula's remains because he wants to lock it away so that Dracula's followers can't get to it and revive him. It's the exact same situation as Ecclesia, except Dracula's remains are sealed inside a room instead of inside of a coffin.
Title: Re: The second most difficult Castlevania thread in history
Post by: Dracula9 on July 06, 2017, 06:14:28 PM
You don't prevent yourself from getting shot by knocking out the person wanting to shoot you and tying them up in a gun store.

Which is exactly what Brauner would be doing in that situation.
Title: Re: The second most difficult Castlevania thread in history
Post by: theplottwist on July 06, 2017, 06:14:52 PM
Brauner wants Dracula's remains because he wants to lock it away so that Dracula's followers can't get to it and revive him. It's the exact same situation as Ecclesia, except Dracula's remains are sealed inside a room instead of inside of a coffin.

Right.

So Brauner took the remains and, instead of sealing them each into a urn and locking them on the bottom of the sea all across the planet, he locked them all together inside the Throne Room, where his entire plan has a monumental chance of failure if something goes SLIGHTLY wrong and the Throne Room is unlocked. Also, he revived Dracula's castle with the souls of the dead instead of using the remains right on his hands.

The logic works (since we're discussing a fictional character's mindset), but I can't buy that Brauner would be this monumentally stupid.
Title: Re: The second most difficult Castlevania thread in history
Post by: Nagumo on July 06, 2017, 06:47:11 PM
The seal didn't break until he died thought, didn't it? Why would it matter where he would lock away Dracula's body if the seal is broken by killing him? It wouldn't matter because then he would be dead.
Title: Re: The second most difficult Castlevania thread in history
Post by: theplottwist on July 06, 2017, 06:50:45 PM
(EDIT: Never mind, you addressed this in your previous post. I really don't agree with the theory you're putting forward, though. I suppose it's because you're only using secondary evidence to proof something very specific instead of primary evidence. If what you're saying is really true then why isn't that spelled clearly out in the games somewhere? Surely IGA or whoever is responsible for the story must have realized people who may not have played all of the games are not aware of all the story details.         

There's actually a good reason. The game formula.

You'll notice a trend amongst all IGA Castlevanias that the story is basically entirely between the lines. You can never make full sense of one game alone without having played the others.

Hell, IGA couldn't explain on SotN ITSELF about the Demon Realm or Alucard's "holy bloodline" descendence. IGA only finally revealed about the Evil Intent of Dracula on Aria, 6 years after SotN. SotN itself needs lore from other games to make sense. OoE needs lore from a source that is not even a GAME to know why there's no Belmonts. Truth is they cannot show the entire lore on one game everytime they want to do something with it.

This is why there are people like us who can have discussions like this.

My guess, which I believe is rather plausible, is that IGA/his team didn't want to cram too many plot points on their games, since Castlevania is known for gameplay, not story, and this would make the plot too bloated to follow. This was the reason he didn't add certain plot points on SotN, if I'm not mistaken. It appears to me they started relying on you knowing the story up until this point to fully grasp the rules of the current game's plot as a way to not make the plot cumbersome. And people will say "Castlevania has no story".

Quote
The seal didn't break until he died thought, didn't it? Why would it matter where he would lock away Dracula's body if the seal is broken by killing him? It wouldn't matter because then he would be dead.

Except that he literally has more than one reason to make reviving Dracula as hard as possible: His two "daughters".

He's considering his daughters to be reincarnated as Stella and Loretta. HIM dying and THEM dying is different, as seen by PoR's bad ending. He's willing to give up on his entire plan if it means saving them.

If he dies, alright. But, would he make it so easy to revive Dracula after his death knowing this could mean Dracula consuming the souls of those who he believes to be his daughters? Because he has no guarantee he'd die AFTER them. So, making Dracula so easy to revive in case he dies is a sure way to get his daughters killed (by his own stupidity, no less!). And, as PoR shows about his mindset, having them die is not on Brauner's plans.

So, again, I have a hard time believing Brauner would be this stupid and unable to predict one step ahead.
Title: Re: The second most difficult Castlevania thread in history
Post by: zangetsu468 on July 06, 2017, 07:59:42 PM
Doesn't OoE have a rather unique position for Dracula, though?

I mean, we've seen him in past titles wherein he's possessing somebody directly and using their body, and we've seen his mere essence incite one to madness and violence.

But in OoE, we see his essence inciting one not only to madness and violence (Albus), but actually *speak* as himself.

Either Albus's extended contact with Dominus made him think he was Dracula, or Dracula's being was actively occupying him.

Considering Dracula himself stays locked in a statue most of the game, yet still manages to consciously exert his will (as seen when he "communicates" with Barlowe and has him sacrifice himself to break the seal), I should think Dracula's mind actively occupying Albus seems more plausible.

I bring this unique circumstance up because of what it suggests for the revival cycle.

Dracula in OoE isn't actually "dead" as he has been in so many past titles. He wasn't physically slain and his soul sent back to his summer home in hell. They put him in a magic rock.


I still believed OOE's Dracula was quite unique as per the above. However I've had this discussion with plottwist about the SOTN radio drama whereby its mentioned somewhere that Alucard was in possession of Dracula's remains after defeating him. These remains presumably ended up with Ecclesia, sealed inside an object.

If this is the case, does it change much? Maxim was completely possessed by Dracula's remains, and it's safe to assume he had them for longer than Ecclesia did. In terms of Albus he may have been affected by carrying Dominus the time he did (eventually being its sacrifice).

What I believe was initially meant to happen in OOE according to Barlowe's plan was Shanoa using Dominus (her own soul) to break the object open which held Dracula's remains, then either Dracula revives or he revives with Barlowe as his host body (like Isaac in COD) in physical form, right there and then which would have completed a proper resurrection. By Shanoa refusing and beating Barlowe, the first aspect is gone and by Barlowe pulling a Majin Vegeta (albeit for the wrong reasons) he did manage to free whatever essence was sealed in that object holding Dracula's remains, at which point he resurrects but it involves him being "beyond the gates of hell" (in the underworld itself).

OOE is still one the more unique scenarios.

Back to the original thread, I doubt Brauner had anything to do with Dracula's remains.
The fact Death went back to the throne room after Brauner's defeat probably means that he had them with him imo. This explains the freshness (blood dripping and all) of his resurrection.

EDIT: Maxim didn't have Dracula's remains as long as Ecclesia
Title: Re: The second most difficult Castlevania thread in history
Post by: DraculaCronqvist on July 06, 2017, 08:25:04 PM
Doesn't OoE have a rather unique position for Dracula, though?

I mean, we've seen him in past titles wherein he's possessing somebody directly and using their body, and we've seen his mere essence incite one to madness and violence.

But in OoE, we see his essence inciting one not only to madness and violence (Albus), but actually *speak* as himself.

Either Albus's extended contact with Dominus made him think he was Dracula, or Dracula's being was actively occupying him.

Considering Dracula himself stays locked in a statue most of the game, yet still manages to consciously exert his will (as seen when he "communicates" with Barlowe and has him sacrifice himself to break the seal), I should think Dracula's mind actively occupying Albus seems more plausible.

I bring this unique circumstance up because of what it suggests for the revival cycle.

Dracula in OoE isn't actually "dead" as he has been in so many past titles. He wasn't physically slain and his soul sent back to his summer home in hell. They put him in a magic rock. I don't recall if it specifies whether or not his body was destroyed prior to this, but I would presume it was due to him not just appearing in physical form right when Barlowe blows the statue up.

EDIT: (Obviously Barlowe was his revival sacrifice, this is just inference to justify the likelihood that his untethered soul was sealed in the statue and that his body was destroyed.)

So if Dracula wasn't "killed" and then revived in his usual fashion, why would any of the established rules about the castle, the throne room, his connection to said castle, or anything of the sort hold water in OoE?

By sealing his soul and consciousness in a corporeal prison on Earth, the standard rules for how he comes back become changed, if they don't go out the window altogether.

Right after Albus absorbs a part of Dominus, Shanoa pities him and says he's been driven mad. That shows that Albus only thought of himself as Dracula, since a part of his power was inside Albus - but it wasn't Dracula actually speaking through Albus.
Title: Re: The second most difficult Castlevania thread in history
Post by: Dracula9 on July 06, 2017, 08:31:46 PM
Shanoa's word isn't good enough. An outside person with no past experience with Big D would recognize such an occurrence as anything more than madness.

Quote
Albus: Shanoa... What am I--!? Gaaah! No, Shanoa... RUN! You have to get away from here! Now!

(Albus clutches his head again, and then begins laughing.)

Albus: Run...? Ha! What good would that do her? She cannot escape me. All of humanity is merely cattle, led to slaughter at my behest. I, Lord Dracula! Give yourself as sustenance to me, weak, foolish human! That will be your honor!!

Seems a lot more like someone with multiple personality disorder internally vying for control, rather than simple madness.

Barlowe, meanwhile, is just batshit nuts. He has no delusions about his identity.

The closest excuse I'd be willing to buy is that Dominus transplants the evil will of "Dracula" onto an unprepared host, rather than Dracula himself speaking through them. But even then we have the above issue of multiple personas arguing, which is a step beyond simply going mad.

And again, we see Dracula exert his will through some manner of telepathic communication with Barlowe. If he's able to do that (presumably because he's now in the presence of all three bits of Dominus, otherwise why hadn't he visibly done anything prior to then--although, perhaps he WAS telepathing with Barlowe all this time and just never made any visibly outward manifestations like he did when Barlowe was beaten), then I see no reason why he wouldn't be able to exert his will using the fragments of Dominus as a vector. It's as I said, he's not truly "dead" in Ecclesia like he is every other time, so the things he's able to do with his power are not wholly gone.
Title: Re: The second most difficult Castlevania thread in history
Post by: DraculaCronqvist on July 06, 2017, 08:34:19 PM
Shanoa's word isn't good enough. An outside person with no past experience with Big D would recognize such an occurrence as anything more than madness.

Seems a lot more like someone with multiple personality disorder internally vying for control, rather than simple madness.

Barlowe, meanwhile, is just batshit nuts. He has no delusions about his identity.

The closest excuse I'd be willing to buy is that Dominus transplants the evil will of "Dracula" onto an unprepared host, rather than Dracula himself speaking through them. But even then we have the above issue of multiple personas arguing, which is a step beyond simply going mad.

We have little else to go on but Shanoa's word, though. At most, I'm willing to accept that this is a HoD kind of deal, with a piece of Dracula acting inside Albus, much like Dracula's Phantom/Wraith, but not Dracula himself, only a part.

Albus absorbs Dominus' Anger (mistranslated as Dominus' Agony in the translation), right? So maybe it was just that: Dracula's anger inside of Albus, not Dracula himself.
Title: Re: The second most difficult Castlevania thread in history
Post by: Dracula9 on July 06, 2017, 08:36:19 PM
Maxim had the remains and a subconscious desire for power.

Albus had short exposure to actual bits of his power/soul, one of which he actually absorbed successfully, and had no subconscious sins save perhaps for his anger at and desire to see Barlowe thwarted.

Dracula Wraith was quite literally just the remains coming together without a proper vessel. It was incomplete because it lacked a proper sacrifice, and was little more than duct-taping Dracula together.

Ecclesia Dracula had an actual sacrifice in the form of Barlowe, after settling for second (or perhaps third, since Albus was already dead by this point) best when Shanoa proved untameable.

Very different circumstances.

I also cannot accept that it was merely Dracula's anger acting through Albus. The words he spoke as "Dracula" were not indicative of anger, but of arrogance and pride. We all know the Anger portion of Dracula has a scathing hatred of all things human, and if not balanced out by his pride and everything else would just result in human massacre.

Pure Dracula Anger wouldn't have taunted Shanoa, it would've tried to slaughter her outright.
Title: Re: The second most difficult Castlevania thread in history
Post by: DraculaCronqvist on July 06, 2017, 09:02:04 PM
Maxim had the remains and a subconscious desire for power.

Albus had short exposure to actual bits of his power/soul, one of which he actually absorbed successfully, and had no subconscious sins save perhaps for his anger at and desire to see Barlowe thwarted.

Dracula Wraith was quite literally just the remains coming together without a proper vessel. It was incomplete because it lacked a proper sacrifice, and was little more than duct-taping Dracula together.

Ecclesia Dracula had an actual sacrifice in the form of Barlowe, after settling for second (or perhaps third, since Albus was already dead by this point) best when Shanoa proved untameable.

Very different circumstances.

I also cannot accept that it was merely Dracula's anger acting through Albus. The words he spoke as "Dracula" were not indicative of anger, but of arrogance and pride. We all know the Anger portion of Dracula has a scathing hatred of all things human, and if not balanced out by his pride and everything else would just result in human massacre.

Pure Dracula Anger wouldn't have taunted Shanoa, it would've tried to slaughter her outright.

Fair enough, but if it really had been Dracula talking through Albus, he would have recognized Shanoa when she confronted him in the throne room. However, when she entered, nothing indicates that Dracula recognizes her (and it only happened a short time ago, when Albus made an attempt at Shanoa's life). Dracula would remember her if he had been there, but his dialogue implies that he's never seen Shanoa before, expressing mild surprise to see her.
Title: Re: The second most difficult Castlevania thread in history
Post by: Dracula9 on July 06, 2017, 09:17:28 PM
I would not consider

Quote
Such a lovely maiden... Are you the one to whom I owe this great
pleasure? Tell me your desire, child. Is it eternal life you seek? A place at
my side?

or

Quote
Dracula: No? Then please...Tell me of yourself. Surely you've realized my
company comes at a price.

to be anywhere near "mild surprise."

He knows someone who wasn't Barlowe played a hand in him getting a body again. But he either doesn't know or doesn't care who.

But to counter you more fairly:

-Dracula also makes no mention of Barlowe, whom he very clearly had that moment of communication with.

-Dracula doesn't give a shit about those who helped him revive or otherwise regain shape. They're means to an end, and once they're finished with their purpose, they no longer matter.

-We don't see Dracula making much mention of anyone else throughout the series beyond the person/people he's immediately talking to. Outside of the Belmonts themselves, the only human Dracula speaks with with any real frequency is Shaft.

-If we assume my theory is correct and Dracula consciously exerted bits of his will through Dominus to corrupt Albus, then it may very well stand to reason he might have no memory of those events that occurred while he was still fragmented. As Dracula Wraith shows, a not-whole Dracula doesn't have all his wits about him, and that presumably includes his memory. Put all the pieces back together, and the result is no longer those unique pieces, but the sum of their parts. I can propose therefore that anything Fragmented Dracula might've done got wiped once he became whole again. We already have instances in the series where he's not whole and it messes with him and his efficacy.

I by no means consider everything stated to be bulletproof, but there's enough leeway either way, and I prefer to take the side that plays Dracula as the manipulator he is.
Title: Re: The second most difficult Castlevania thread in history
Post by: DraculaCronqvist on July 06, 2017, 09:20:32 PM
I would not consider

or

to be anywhere near "mild surprise."

He knows someone who wasn't Barlowe played a hand in him getting a body again. But he either doesn't know or doesn't care who.

But to counter you more fairly:

-Dracula also makes no mention of Barlowe, whom he very clearly had that moment of communication with.

-Dracula doesn't give a shit about those who helped him revive or otherwise regain shape. They're means to an end, and once they're finished with their purpose, they no longer matter.

-We don't see Dracula making much mention of anyone else throughout the series beyond the person/people he's immediately talking to. Outside of the Belmonts themselves, the only human Dracula speaks with with any real frequency is Shaft.

-If we assume my theory is correct and Dracula consciously exerted bits of his will through Dominus to corrupt Albus, then it may very well stand to reason he might have no memory of those events that occurred while he was still fragmented. As Dracula Wraith shows, a not-whole Dracula doesn't have all his wits about him, and that presumably includes his memory. Put all the pieces back together, and the result is no longer those unique pieces, but the sum of their parts. I can propose therefore that anything Fragmented Dracula might've done got wiped once he became whole again. We already have instances in the series where he's not whole and it messes with him and his efficacy.

I by no means consider everything stated to be bulletproof, but there's enough leeway either way, and I prefer to take the side that plays Dracula as the manipulator he is.

But that is what I am saying, that it was a fragment of Dracula acting through Albus and not Dracula as a whole unified being.

Also, it has been shown that Dracula does care to some extent for those who revive him, as is seen with Shaft, who's given a very high position of power, but that's beside the point.
Title: Re: The second most difficult Castlevania thread in history
Post by: Dracula9 on July 06, 2017, 09:23:01 PM
A metaphor:

The words I speak through a telephone do not become any less driven by my own mind and will simply because they're only the audio waves of my voice and not literally all of me.

Same principle.

And let's be reasonable here. Shaft got a promotion because Shaft had further use. I have no doubts that Shaft would've been...well, shafted the instant he ceased to be useful.

He returns as a ghost in Rondo and reappears as disembodied in SotN, but that's due to his own magic rather than a Dracula intervention.