Topic: Let's do stuff to the new character from the pachinko game

[Gunlord]

Bestiality is not gothic horror, X.

So she gets eaten by a giant flower and becomes one? I already did that with Maria.

No, I mean she goes to the arboreum, looks at all the pretty flowers, meets kitty gunlord, and they all live happily ever after

[Super Waffle]

Too vanilla.

[Gunlord]

How about she goes to the arboreum, meet kitty gunlord, and then they fight dracula together. But when they beat dracula, it turns out he was just a servant of a far greater evil: Dave Cox!

[Super Waffle]

Too meta.

[Lumi Kløvstad]

Waffle is impossible to please, wouldn't you say, Gunny?
I still say writing an edgy thinly veiled hentai lemon is the best way to attract... clicks.
It worked well enough for PachinKonami, after all.

Then you can write five chapters, and release them as optional paid add-ons, with two single chapter releases being for $4.99 each and then a single three chapter release for $9.99.

Then dive into your swimming pool filled with money.

[X]

If you're looking to write a Gothic horror sketch Super Waffle then you might be looking in the wrong place 

Most of the work you've shown us is basically erotica. So naturally that's what we were assuming, and why we were throwing ideas your way that were erotic in nature. Believe me, no insult was directed at you--personally or professionally. In terms of a Gothic horror sketch I can't say I have any ideas for you to work with. You're best bet would be to read around a bit in that particular genera. Or maybe watch some Gothic horror films if you know of any that can help you. I'm sure you'll find some ideas that you can implement into a story of your liking.

[Lumi Kløvstad]

Honestly, as a no-kidding honest suggestion, I would suggest reading Carmilla and bits of Dracula, seeing as they're kind of the pinnacle of Vampire fiction, for better and worse.

Anytime someone has trouble with a gothic idea for fiction, I point them to the classics. You don't need to bust out Victorian writing chops, but examine how authors deal with the concept of breaking out of personal chains of behavior (which was the effect Dracula in particular had on those he turned), and the duality between the masks people wear to seem decent versus the unchained Id of the vampire characters. You don't have to restrict yourself to analyzing gothic vampire literature, but that is the most prevalent and easy to find example of the genre today.

[Super Waffle]

She was breathing hard from exertion. A slight mist of sweat started to form on her forehead. Her heart was racing, pumping additional fresh blood to her arms, her head, and her legs. She carefully watched Dullahan's erratic sword swings before countering with her weapon. A feeling of confidence grew inside of her as the duel continued. She had the advantage now. All she had to do was finish the horseman off.

The two swords clashed together, separated, and clashed again. Victoria swung toward a weakened joint in Dullahan's shoulder armor before he blocked her. Dullahan slashed at Victoria's ankles, but she quickly stepped out of the way and again crossed her sword with his. Victoria swung lower. Dullahan swung higher. Victoria's sword missed a vulnerable spot on Dullahan's torso by half an inch. The edge of Dullahan's sword met the delicate silk choker around Victoria's throat.

It was a liberating experience for her in the most unfortunate sense. The blade glided cleanly through her neck as if she were nothing more than a ripe grain of wheat waiting to be harvested. Her shoulder length red hair fluttered gently in the sudden deadly breeze. The threads of her choker split in half and slipped away from her dress. The vicious force of Dullahan's strike mingled with the graceful energy in her own movements to send her head flying forward and upward into the air. She became like a beautiful and morbid angel fountain as a crimson arch sprung out from the newly-formed stump of her neck, her rushing blood abruptly set loose from the narrow pressurized confines of her arteries. Her sword clattered to her feet while her arms flopped limply to her sides. Her head skipped across the ground, rolled several meters, and came to a stop. The rest of her body spasmed in the gruesome approximation of a riposte before crumpling to the floor. Her legs twitched violently inside their thigh length leather boots for a few more seconds before they became entirely motionless. One of the greatest drawbacks of being a mortal girl was her body couldn't survive once it had been cut free from her pretty little head.

Excuse me good sirs but what do you find so erotic about this

Honestly, as a no-kidding honest suggestion, I would suggest reading Carmilla and bits of Dracula, seeing as they're kind of the pinnacle of Vampire fiction, for better and worse.

I read both of those like three years ago. I made a thread about it. Carmilla had crazy subtle erotica. I remember Dracula having really dumb characters (so, so goddamn dumb) and there was a line about "corruption itself had become corrupt."

[Inccubus]

How about she goes to the arboretum, meets kitty Gunlord and they set off on a quest to seduce all the castle's male residents through dreams of erotic violence, but they keep failing because of a horrifyingly comedic misunderstanding of each individual's nature?

[Super Waffle]

Too Gundam SEED Destiny.

[Shiroi Koumori]

I've finally read your work on Victoria. It's good.

How about make her a double/triple agent?

[Super Waffle]

With a detachable head?

[Lumi Kløvstad]

With a detachable head?

Those are expensive and logistically difficult. Dracula should cut costs and just pay for a retractable one.

[Shiroi Koumori]

Magic can keep it in place.

[X]

Like Beetlejuice?