In Reply To #164
You know that's true, actually. Portrait does have a surplus of action-oriented cues. I really didn't even notice that until I plowed through with Richter & Maria and heard some of the pieces more closely together. Of course, it really is most evident in the final four painting stages where the only respite from the hard-hitting numbers are "Sandfall" and "Behind the Gaze." Apart from that, the environments really don't seem all that suited to such active music. - Something I think even Dawn accomplished well.
- One thing I can't help but point out, "Troubled Times" rocks. Primarily because it sounds to me like it came straight out of CV II - Belmont's Revenge. Repetitive, simple, but I'll be damned if that cue doesn't fit the Nest of Evil perfectly.