In Reply To #156
With you about the bright color scheme for PoR. I kind of swallowed it though following HoD and the two Sorrow titles since they kind of needed brighter imagery to stand out on the GB/DS screens. Then again, Dawn of Sorrow really seemed to push it over the limits for me. I swear the garden area made my eyelids flutter.
Definitely can't complain about Portrait's music though. "Silent Prison," "Jail of Jewels," "Hail to the Past," and "Behind the Gaze" all stood out as worthy additions to the Castlevania libretto library, while "The Hidden Curse" easily ranks among classic pieces like "Beginning" and "Bloody Tears." Do bear in mind though, I was pleasantly surprised by the sounds of PoR after the somewhat forgettable soundtrack for Dawn and Michiru Yamane's thoroughly lackluster score for Curse of Darkness. Granted, "Abandoned Castle" and "Mortvia Aquaduct" imbed themselves firmly into memory, but to me the only good piece on the whole soundtrack was "Garibaldi Temple." It may have been rooted in "Prayer For A Tragic Queen" from Bloodlines, but it was still the most original and fitfully beautiful piece found in the game.
Speaking of music though, I've always agreed that HoD had an excellent and highly original score. Regardless of the sound chip available at the time, practically every piece not only stood out on its own, but also seemed to follow a central theme of ambient urgency, unease, even malevolence at times. "Successor of Fate" is truly one of the most inspiring cues dedicated to a central character (cliched and uninspired though that character in question may be). And "Chapel of Dissonance" had to be one of the loveliest numbers to grace a CV game since the grandiose pieces from Symphony of the Night. Yes, another score from HoD's composer would be a very welcome prospect. Certainly more welcome than any further experimental Baroque beat-boxing from Yamane-san.