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However good LoS's score was it still didn't sound like Castlevania music. No pipe/church organ anywhere didn't help it at all either.
If I had to make a suggestion as for what I would've liked to see (and I would hope Dtrius understands what I'm trying to say) all 3 areas (land of the lycans, land of the vampires, and land of the necromancers) should have had their own specific musical vibes and compositions woven in with the central themes of LoS. Repetition of songs is fine between the chapters in each of these areas, but to really highlight the descent Gabriel was going through as well as characterize the different lands, there definitely needed to be more music, as well a better ratio of mellow to fast paced compositions (there were too many of the former in my opinion).
For example, Waterfalls of Agharta is beautiful and mixed well with the chapter it was named after as well as the 3 towers stage...but I didn't appreciate it as much in the machine tower...or the underground cave that you teleport into after baba yaga's quest...or the final portion of the necromancer's land.
Laura and Gabriel arrive in the deepest cave of the castle and... they find IGA.
I'd reccomend you D/L the extended score. It's massive and pretty friggin' awesome.
Didn't Araujo say that Konami told him to make the music more epic and move away from the "efeminate" style of the older Castlevania music?
Well that sucks.I guess it's pointless hoping for Castlevania music now then.